La chambre — espace où l’on retrouve son intimité, son sommeil et peut-être aussi ses déceptions – sert de décor à la composition du portrait fragmentaire de la cinéaste. Une femme cherche à comprendre l’amour, le chagrin, le manque entre les plis des draps, censés garder le secret des amants. La réalisatrice libanaise, Davina Maria, essaye de trouver son image, comme on fait et on défait son lit. Une quête de soi, un journal déchirant.
Autres festivals :
Visions du Réel, Suisse (2019)
Cinéma Al Fouad, Liban (2019)
Aussi présenté :
Institut du Monde Arabe, France (2022)
Visions du Réel, Suisse (2019)
Cinéma Al Fouad, Liban (2019)
Aussi présenté :
Institut du Monde Arabe, France (2022)
| Réalisation | Davina Maria |
Présent sur ces collections
Réalisation
Davina Maria
Disponible en anglais seulement
Davina Maria is a documentary filmmaker born in Beirut and currently based in Brussels.
She pursued a dual degree in Audiovisual studies and Philosophy in Saint Joseph University of Beirut. She followed the seminar “The Personal Pictorial Language” in Copenhagen, as part of the exchange program organized by The National School of Denmark and International Media Support (IMS).
She holds a MA in Documentary Film Directing from The DOC NOMADS, a two-year, full time, European graduate program delivered by a consortium of three universities in Portugal, Hungary and Belgium.
Being a film lover, her work usually revolves around the quests of love, pain, beauty, desire, and anything that relates to the human condition and its fragility. She likes to think about the camera as being an extension of her own body and her eye is easily recognizable through her poetic and sensual imagery, her sensitivity to natural light, and the way she gets close to those she films
Notes biographiques fournies par l’équipe du film
Davina Maria is a documentary filmmaker born in Beirut and currently based in Brussels.
She pursued a dual degree in Audiovisual studies and Philosophy in Saint Joseph University of Beirut. She followed the seminar “The Personal Pictorial Language” in Copenhagen, as part of the exchange program organized by The National School of Denmark and International Media Support (IMS).
She holds a MA in Documentary Film Directing from The DOC NOMADS, a two-year, full time, European graduate program delivered by a consortium of three universities in Portugal, Hungary and Belgium.
Being a film lover, her work usually revolves around the quests of love, pain, beauty, desire, and anything that relates to the human condition and its fragility. She likes to think about the camera as being an extension of her own body and her eye is easily recognizable through her poetic and sensual imagery, her sensitivity to natural light, and the way she gets close to those she films
Notes biographiques fournies par l’équipe du film
Quelques films :
Souvenirs d’une journée parfaite (2022)
Une image douce et tendre (2022)
à flor da pele (2021)
The taste of ashes (2021)
(re)garde-moi (2020)
Souvenirs d’une journée parfaite (2022)
Une image douce et tendre (2022)
à flor da pele (2021)
The taste of ashes (2021)
(re)garde-moi (2020)
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