Architectomie #1 / Jeanne de Petriconi

How does film capture sculpture and its relationship with architecture and its viewers? The movements of the camera and the eye, versus the static nature of stone, which is three-dimensional, contrasts with the two-dimensionality of film. How does it capture the decisive instant it arouses, attracts and mirrors, all at the same time? How does it show it is connected to architecture, and yet different from it: a detached counterpoint and takes spectators on a journey into the past of this form, before it even existed.