Tomas Oblicuas
PABLO MARTINEZ ZARATE
Mexican filmmaker and academic Pablo Martínez Zárate offers a piece that invites reflection on the role of art in a world plunged into a social and humanitarian crisis. Filmed in Super 8 and 16 mm formats in locations significant for art and cinema — such as the Rijksmuseum in Amsterdam and the International School of Film and Television of Cuba (EICTV) — this fragmentary essay challenges the viewer: What is the meaning, relevance, and role of art in the face of the trivialization of the image generated by the ubiquity of digital technologies?
DocsMx2024, UltracinemaMX 2024
| Director | Pablo Martínez Zárate |
| Director of Photography | Pablo Martínez Zárate |
| Editing | Martin De Alba |
| Sound | Sharon Aiza Engel |
| Music | Maricarmen Martínez, Fernando Vigueras |
| Designer | José Luis Rangel |
Present in these collections
Production
PABLO MARTINEZ ZARATE
La memoria se filtró por una grieta (2022), El monopolio de la memoria (2018),