World-famous for his painting The Cry, Edvard Munch is the painter of emotions, which he knew how to express with unparalleled power. The film explores its journey through the prism of nature, which has nourished all its work, literally first through the Norwegian landscapes of its beginnings, symbolically to accentuate the expression of human feelings, and then metaphorically as a representation of the life cycle.
| Director | Sandra Paugam |
| Editing | Alexandre Landreau |
| Sound mixing | Charriot Philippe |
| Cinematography | Jean-Louis Laforêt |
| Music | Siegfried Canto |
Production
Sandra Paugam
Sandra Paugam was born in Paris in 1972. She participates in many documentaries on art and culture, first as an assistant director.
From 1996, she perfected her experience by editing about fifty documentaries. Since 2009, she has been turning to directing.
She is the author of several art films in partnership with the Musée d’Orsay and the RMN, including recently Cocottes et courtisanes, for which she won the award for best documentary film at FIFA in Montreal in 2016. His films also include Degas et le corps mis à nu, as well as Une plongée dans l’histoire du Grand Palais, or the portrait of Paul Durand-Ruel, the impressionist merchant.
Biographical notes provided by the film production team
From 1996, she perfected her experience by editing about fifty documentaries. Since 2009, she has been turning to directing.
She is the author of several art films in partnership with the Musée d’Orsay and the RMN, including recently Cocottes et courtisanes, for which she won the award for best documentary film at FIFA in Montreal in 2016. His films also include Degas et le corps mis à nu, as well as Une plongée dans l’histoire du Grand Palais, or the portrait of Paul Durand-Ruel, the impressionist merchant.
Biographical notes provided by the film production team
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