Fiteiro Cultural — la forme du vide
Michel Favre
Trailer
For nearly two decades, Brazilian artist Fabiana de Barros (1957 – ) has been working on a unique cultural kiosk, the Fiteiro Cultural. In the process, she has become an iconic figure worldwide. Deployed in peculiar milieux, her installations reinvent themselves according to the artistic needs and talents of the communities in which they reside. Opening up to her longtime friend Michel Favre, the artist explains her ideas in a spirit of sharing and openness. On a neverending quest for perfect form, this inspiring woman pushes the limits of imagination, provoking rich interplay among artists of many cultures.
Also presented:
37th International Festival of Films on Art, Canada (2019)
37th International Festival of Films on Art, Canada (2019)
| Director | Michel Favre |
| Author | Daniela Capelato |
| Editing | Michel Favre |
| Artist | Fabiana De Barros |
| Sound mixing | François Wolf |
| Cinematography | Michel Favre |
| Music | Edgard Scandurra |
Image tirée du film Fiteiro Cultural — la forme du vide // Image from the film Fiteiro Cultural — la forme du vide
Image tirée du film Fiteiro Cultural — la forme du vide // Image from the film Fiteiro Cultural — la forme du vide
Image tirée du film Fiteiro Cultural — la forme du vide // Image from the film Fiteiro Cultural — la forme du vide
Production
Michel Favre
Michel Favre, born in Geneva in 1964, trained at the Geneva University of Art and Design (HEAD — Geneva). Since 1996, he has been working with the visual artist Fabiana de Barros. Under the name FABMIC, they create video installations, multimedia performances and photographic series.
Biographies have been provided by third parties.
Biographies have been provided by third parties.
Fiteiro Cultural — A Journey Into The Void (2018); Dessine-moi une rivière (2016); Superpositions (2014); Lettre au grand-père (2013); Cidade; Gato Quente (2012); Saudade (2011); You are Here (2010); Ça va? (2009); Print (2008); L’image à paroles (2006); Fiteiro Cultural (2003); Kiosque à culture (2002); Geraldo de Barros — Sobras em Obras (1999); Stock (1992); Arménie/Jérusalem (1991); Sans-titres (1988); Rive Gauche/Rive Droite (1986); Suspendus à un fil (1985)
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