The Swan at the Mouth of the River
Daphna Mero
Bande-annonce
À 41 ans, Bernd Burgmaier enfile ses pointes pour danser une dernière fois Le cygne mourant, son rôle féminin préféré. Après une carrière de danseur épanoui dans Les Ballets Trockadero, il quitte la scène, trouve l’amour et s’installe à Tel-Aviv. Un docu-danse qui défie avec sensibilité les perceptions binaires de la vie et du genre.
Autres festivals :
Festival international du film de Haïfa, Israël (2021)
Festival du court métrage Aesthetica, Royaume-Uni (2021)
Festival international du film de Haïfa, Israël (2021)
Festival du court métrage Aesthetica, Royaume-Uni (2021)
| Réalisation | Daphna Mero |
| Production | Daphna Mero |
| Conception sonore | Ori Tchechik |
| Image | Yair Halper |
En partenariat avec
Séance
Image tirée du film The Swan at the Mouth of the River // Image from the film The Swan at the Mouth of the River
Image tirée du film The Swan at the Mouth of the River // Image from the film The Swan at the Mouth of the River
Image tirée du film The Swan at the Mouth of the River // Image from the film The Swan at the Mouth of the River
Réalisation
Daphna Mero
Disponible en anglais seulement
Daphna Mero is a film director, choreographer and a professional dancer. She holds a Bacherlor in Dance from the Jerusalem Academy of Music and Dance, a film diploma from Minshar for Art, Tel-Aviv and MFA in Film/Video from MassArt, Boston. Her work draws inspiration from locations, spaces, and sites. They deal with the human experience via a novel medium, which incorporates visual art and dance. Her short experimental films have been screened in film festivals around the world, and she has won many awards and prizes for her work.
Notes biographiques fournies par l’équipe du film
Daphna Mero is a film director, choreographer and a professional dancer. She holds a Bacherlor in Dance from the Jerusalem Academy of Music and Dance, a film diploma from Minshar for Art, Tel-Aviv and MFA in Film/Video from MassArt, Boston. Her work draws inspiration from locations, spaces, and sites. They deal with the human experience via a novel medium, which incorporates visual art and dance. Her short experimental films have been screened in film festivals around the world, and she has won many awards and prizes for her work.
Notes biographiques fournies par l’équipe du film
Family Trip (2008)
Cotton Candy (2010)
Washed (2012)
Demeter’s Spring (2012)
Migration (2015)
Cotton Candy (2010)
Washed (2012)
Demeter’s Spring (2012)
Migration (2015)
![[d]eux](https://lefifa.com/uploads/images/deux/_filmMedium/deux_6.jpg)
