Trailer
Forty-eight years after its theorization by Laura Mulvey, what remains of the male gaze in cinema? Through a detailed analysis of Hollywood films from the past and present, Salomé Bazin demonstrates how gender stereotypes continue to influence the roles given to women. Embracing the codes of mashup, essay, and performance, she explores ways to emancipate from them by engaging in processes of reappropriation and reenactment in search of new images, in an attempt to liberate her own body from these preconceived ideas.
Other festival:
Cineautopsia, World premiere, Colombia (2023)
Cineautopsia, World premiere, Colombia (2023)
| Director | Salomé Bazin |
| Archive Videos | Salomé Bazin |
| Archives researcher | Maijo D'Amico, Yaela Gottlieb, Alejandro Schonfeld |
| Editing | Salomé Bazin |
| Camera | David Nazareno |
| Cast | Salomé Bazin |
| Sound mixing | Nicolas Guadagno |
| Translation | Nancy Winchester |
Session
• Musée McCord Stewart
Monday, march 18, 2024, 06:00 p.m. — 07:15 p.m.
Production
Salomé Bazin
After studying performing arts, Salomé studied cinema (Paris), digital arts (Buenos Aires) and human and social sciences (Montpellier). She has developed projects in experimental cinema, multimedia performance and video art presented throughout the world. Her work deals mainly with bodies — and in particular women’s bodies — as subjects and as social and political representations. She currently lives and works in Paris.
Biographical notes provided by the film production team
Biographical notes provided by the film production team
Y.Y.Y (2019)
ILS (2017)
ILS (2017)
In the same session
Musée McCord Stewart
Monday, march 18, 2024, 06:00 p.m.
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