Two friends who worked in the music store Panamá Radio, remember their youth, when they entered the working world of the city, and lived surrounded by the music and the stars that visited the store. Dora de Angeles and Lidia Garcia narrate how their life was surrounded by these stars and music in Panama.
| Director | Edgar Soberon |
| Assistant director | Edward Hernández |
| Script | Edgar Soberon |
| Production | José Tuñon, José Alonso |
| Associate Producer | Carlos García de Paredes, Annie Canavaggio |
| Executive Production | Edgar Soberon |
| Colorization | José Alonso |
| Cast | Miroslava Morales, Dora Pineda, Beto Geymart, Marcia De León, Hector Cumbrera, Andres Buckley, Alfonso Buckley, Irene Bird de Halman |
| Sound mixing | José Tuñon |
| Cinematography | José Alonso |
| Costumes | Vielka Chu |
| Wigs design | Paulo Ferreira |
José Alonso
Production
Edgar Soberon
Panamanian playwright, screenwriter, producer and film director, Edgar Soberon is also the Director of the International Human Rights Film Festival of Panama — Bannabá Fest. Professor at the Escuela de Arte Teatral de la Universidad de Panamá; EICTV, Universidad Veritas de Costa Rica. Film critic published in San Juan, Panama, London, Bogotá, Mexico, Havana, and Madrid. Since 1993 he has been president of the Centro de Imagen y Sonido de Panamá. His latest film Panama Radio premiered in 2019 at the Panama International Film Festival.
2021: Writer of Molina’s Alicia by Jorge Molina (in development), Cuba.
Writer of Rokombey by José R. Tuñón (in development), Panama.
Writer of El saco by Martín Contreras (in development), Panama.
Writer of El día puente by Soberón Torchia (in development), Panama.
Co-screenwriter of El camino de las nubes by Arturo García De León (in development), Panama.
2019: Director and screenwriter of Panama Radio.
2010: Screenwriter of Molina’s Ferozz by Jorge Molina, Cuba.
2010: Co-writer of Cincuenta by Manuela Montoya, Cuba.
2008: Co-writer, assistant director of Talento de barrio by José Iván Santiago, Puerto Rico.
2008: Co-writer of La Yuma by Florence Jaugey, Nicaragua.
2008: Co-writer of El hombre que hablaba con Marte by Jorge Molina, Cuba.
2007: Producer, co-writer and actor, La estación seca by José Ángel Canto, Panama.
2007: Co-writer, Molina’s Solarix by Jorge Molina, Cuba.
2005: Screenwriter, Liza… like her by Annie Canavaggio, Panama.
2004: Writer and script consultant, Le sacre du printemps by Oliver Herrmann, Berlin.
2002: Co-writer of Molina’s Test by Jorge Molina, Havana.
1997: Co-producer of El mandado by Pituka Ortega Heilbron, Panama.
1990: Co-producer of Lobo feroz by Samuel Larson, Mexico.
1980: Producer of the documentary Le Théâtre de la Jeune Lune, Paris.
Television and video
2005: Scriptwriter of La vida de Fernando Vilcat, Panama, 2005.
2003: Scriptwriter of the TV series El abuelo de mi abuela, several, Panama. 2001.
Scriptwriter and co-director of Orientaciones son orientaciones, Havana.
1999: Scriptwriter of the TV series Solteras, several, Panama.
1998: Producer of Carnavales de Panamá, Panama-Mexico.
1996: Producer of Krung kita, la balsería en Kribarigade, Panama.
1995: Scriptwriter of Pobreza en Panamá by Fernando Martínez, Panama.
1995: Producer of Canaleo, Panama.
1994: Writer and co-director of India dormida, Panama.
1992: Director of The Midnight Special, Havana.
1987: Co-writer of the children’s series Había una vez…, RTVE, Panama.
1987: Producer of Eli Jiménez, Panama.
1985 – 86: Scriptwriter of the children’s series Las aventuras de tía Burucha, RTVE, Panama.
THEATRICAL DIRECTION
La noche de los asesinos (1978) by José Triana.
Pepita de marañón by E. Soberón Torchia and Alfredo Alberto Arango (1979).
El entierro de la sardina by A. A. A. Arango (1981)
The Story of the Corozo by Soberón Torchia (1981)
El ñaque by José Sanchis Sinisterra (1985)
La Chula Linda by Soberón Torchia (1985)
Rama de sombra by Jean-Claude Le Parc (1987)
The Beautiful Indifferent by Jean Cocteau (1991)
A Colonial House by Nicolás Dorr (1998)
The smell of popcorn by José Luis Ramos (1998)
Sex, modesty and tears by Antonio Serrano (1999)
The Heiress and the Ghost by Soberón Torchia (2000)
Santas, vírgenes y mártires (2001) by Jorge Díaz
El sorteo (2002) by Soberón Torchia
Pedro Navaja (2002) by Soberón Torchia
Pipo Subway doesn’t know how to laugh (2019) by Jaime Carrero.
OTHER AWARDS
2002: Pedro Correa Award for the theatrical anthology Pedro Navaja y otros éxitos del hit parade, INAC, Panama. 1995: First prize, II Cultural Video Contest, India dormida, INAC, Panama.
Writer of Rokombey by José R. Tuñón (in development), Panama.
Writer of El saco by Martín Contreras (in development), Panama.
Writer of El día puente by Soberón Torchia (in development), Panama.
Co-screenwriter of El camino de las nubes by Arturo García De León (in development), Panama.
2019: Director and screenwriter of Panama Radio.
2010: Screenwriter of Molina’s Ferozz by Jorge Molina, Cuba.
2010: Co-writer of Cincuenta by Manuela Montoya, Cuba.
2008: Co-writer, assistant director of Talento de barrio by José Iván Santiago, Puerto Rico.
2008: Co-writer of La Yuma by Florence Jaugey, Nicaragua.
2008: Co-writer of El hombre que hablaba con Marte by Jorge Molina, Cuba.
2007: Producer, co-writer and actor, La estación seca by José Ángel Canto, Panama.
2007: Co-writer, Molina’s Solarix by Jorge Molina, Cuba.
2005: Screenwriter, Liza… like her by Annie Canavaggio, Panama.
2004: Writer and script consultant, Le sacre du printemps by Oliver Herrmann, Berlin.
2002: Co-writer of Molina’s Test by Jorge Molina, Havana.
1997: Co-producer of El mandado by Pituka Ortega Heilbron, Panama.
1990: Co-producer of Lobo feroz by Samuel Larson, Mexico.
1980: Producer of the documentary Le Théâtre de la Jeune Lune, Paris.
Television and video
2005: Scriptwriter of La vida de Fernando Vilcat, Panama, 2005.
2003: Scriptwriter of the TV series El abuelo de mi abuela, several, Panama. 2001.
Scriptwriter and co-director of Orientaciones son orientaciones, Havana.
1999: Scriptwriter of the TV series Solteras, several, Panama.
1998: Producer of Carnavales de Panamá, Panama-Mexico.
1996: Producer of Krung kita, la balsería en Kribarigade, Panama.
1995: Scriptwriter of Pobreza en Panamá by Fernando Martínez, Panama.
1995: Producer of Canaleo, Panama.
1994: Writer and co-director of India dormida, Panama.
1992: Director of The Midnight Special, Havana.
1987: Co-writer of the children’s series Había una vez…, RTVE, Panama.
1987: Producer of Eli Jiménez, Panama.
1985 – 86: Scriptwriter of the children’s series Las aventuras de tía Burucha, RTVE, Panama.
THEATRICAL DIRECTION
La noche de los asesinos (1978) by José Triana.
Pepita de marañón by E. Soberón Torchia and Alfredo Alberto Arango (1979).
El entierro de la sardina by A. A. A. Arango (1981)
The Story of the Corozo by Soberón Torchia (1981)
El ñaque by José Sanchis Sinisterra (1985)
La Chula Linda by Soberón Torchia (1985)
Rama de sombra by Jean-Claude Le Parc (1987)
The Beautiful Indifferent by Jean Cocteau (1991)
A Colonial House by Nicolás Dorr (1998)
The smell of popcorn by José Luis Ramos (1998)
Sex, modesty and tears by Antonio Serrano (1999)
The Heiress and the Ghost by Soberón Torchia (2000)
Santas, vírgenes y mártires (2001) by Jorge Díaz
El sorteo (2002) by Soberón Torchia
Pedro Navaja (2002) by Soberón Torchia
Pipo Subway doesn’t know how to laugh (2019) by Jaime Carrero.
OTHER AWARDS
2002: Pedro Correa Award for the theatrical anthology Pedro Navaja y otros éxitos del hit parade, INAC, Panama. 1995: First prize, II Cultural Video Contest, India dormida, INAC, Panama.
You would like
