This new film by choreographer Jeanne Renaud (1928-) is based on brief personal episodes and two enigmatic stone sculptures by the artist Bruce Parsons. She invites distinguished dancers Louise Bédard and Marc Boivin to expound on her early ideas, while director Mario Côté imagines the choreography. What follows is a dialogue between choreography, dance, and cinema. The film is accompanied by the soft music of Jürg Frey, played by Quatuor Bozzini. A peaceful alliance between cinema and dance takes its place in an infinite trajectory, where memories blend in dance.
Also presented:
37th International Festival of Films on Art, Canada (2019)
37th International Festival of Films on Art, Canada (2019)
| Director | Mario Côté |
| Choreography | Jeanne Renaud |
| Cast | Louise Bédard, Marc Boivin |
| Cinematography | Steeve Desrosiers |
| Music | Jürg Frey |
Steeve Desrosiers
Steeve Desrosiers
Affiche du film // Film’s poster
Production
Mario Côté
Upcoming.
L’Image-lumière (2017) ; Des lois des dialogues (2016) ; Écorces (2016) ; Sonate no 6 (2016) ; Black and Tan Fantasy/Répétition (2015) ; L’homme de la campagne (2014) ; Fernand Leduc : Les mots de la peinture (2013) ; A Morte in braccio (2012) ; Hozhro, cantate scénique de Michel Gonneville (2012) ; À ciel ouvert (2011) ; Blanc Noir ou Rien (2010) ; Tableau 20 (2009) ; La chambre qui attend, un portrait d’Alain Fleischer, écrivain (2008) ; Dédale (2008 ) ; Les saisons Sullivan (2007)
