Jackson and Charles Pollock, two brothers, two painters, are caught up in the twists of twentieth century American history. The electrical center of their trajectory is New York. Their correspondence resonates with it, questions a myth and brings a painter out of the shadows.
Director | Isabelle Rèbre |
Author | Isabelle Rèbre |
Director of Photography | Emilien Awada |
Production | Inès Lumeau |
Line Producer | Colette Quesson |
Editing | Margaux Serre, Marie-Pomme Carteret |
Colorization | Alexandre Lelaure |
Voice | Dominic Gould, Rebecca Pauly |
Sound mixing | Jean-Marc Schick |
Music | Olivier Mellano |
Production
Isabelle Rèbre
Isabelle Rèbre directs documentary portraits: Charles Rojzmann, thérapeute social (Arte), André S. Labarthe, de la tête aux pieds (Ciné-Cinémas), La peinture de Jean Rustin, Après la colère (Arte), Ricardo Cavallo ou le rêve de l’épervier.
She is also the author of several plays, including Fin inspired by the last years of Ingmar Bergman, created in 2014. She is the author of The Last Photograph : Sarabande, by Ingmar Bergman (publication La Lettre volée, 2017).
She wrote for France Culture Ton 8 mai 1945 et le mien, diptych released in 2001 with Maurice Garrel and Evelyne Didi. The text was published in a literary version by François Bon. Her first play Moi, quelqu’un was created in Paris in 1998 and is published by Actes Sud Papier.
Since 1993, Isabelle Rèbre has produced around thirty documentaries for France Culture (Nuits magnétiques, Surpris par la nuit), mostly related to art and literature.
Biographies have been provided by third parties.
She is also the author of several plays, including Fin inspired by the last years of Ingmar Bergman, created in 2014. She is the author of The Last Photograph : Sarabande, by Ingmar Bergman (publication La Lettre volée, 2017).
She wrote for France Culture Ton 8 mai 1945 et le mien, diptych released in 2001 with Maurice Garrel and Evelyne Didi. The text was published in a literary version by François Bon. Her first play Moi, quelqu’un was created in Paris in 1998 and is published by Actes Sud Papier.
Since 1993, Isabelle Rèbre has produced around thirty documentaries for France Culture (Nuits magnétiques, Surpris par la nuit), mostly related to art and literature.
Biographies have been provided by third parties.
Pollock & Pollock (2020); Quelques jours avec nous (2015); Ricardo Cavallo ou le rêve de l’épervier (2013); Lehaïm – A la vie ! (2008); La peinture de Jean Rustin (2007); Après la colère (2006); L’eau du bain (2004); André S. Labarthe, de la tête aux pieds (2003); Charles Rojzmann, un thérapeute social (2001); L’histoire des pompes avant qu’elles ne soient funèbres (1993); Parlez-moi d’amour (1992); La correspondance Strauss-Hofmannsthal (1991);