Trailer
This film is part of the program Regards de femmes : Carte blanche à l’Institut du monde arabe.
Bab Sebta is a series of reenactments of situations observed at the border of Ceuta, a Spanish enclave on Moroccan soil, and the scene of trafficking in manufactured goods sold at a discount where thousands of people work every day…
Bab Sebta is a series of reenactments of situations observed at the border of Ceuta, a Spanish enclave on Moroccan soil, and the scene of trafficking in manufactured goods sold at a discount where thousands of people work every day…
Other festivals:
Vox Feminae Zagreb, Croatia (2021)
Ibiza Cinefest, Spain (2021)
Paris courts devant, France (2021)
Taiwan International Documentary Festival, China (2021)
Kurzfilmfestival Hamburg, Germany (2020)
Vox Feminae Zagreb, Croatia (2021)
Ibiza Cinefest, Spain (2021)
Paris courts devant, France (2021)
Taiwan International Documentary Festival, China (2021)
Kurzfilmfestival Hamburg, Germany (2020)
Director | Randa Maroufi |
Script | Randa Maroufi |
Editing | Ismaël Joffroy ChandoutiIs |
Sound | Mohamed Bounouar |
Cinematography | Luca Coassin |
Session
• Cinéma du Musée - Auditorium Maxwell-Cummings
Sunday, march 17, 2024, 08:00 p.m. — 10:00 p.m.
Production
Randa Maroufi
Born in 1987 in Casablanca, Morocco, a Fine Arts graduate at Tetouan (Morocco), Angers (France) and Le Fresnoy (France).
Randa Maroufi belongs to this generation that grew up in an era dominated by images. She collects them with as much eagerness as suspicion, and ceaselessly questions their veracity. She prefers to put her ambiguous fictions in the service of reality, and the field of her experimentation encompasses the occupation of public space and gender issues, of which she highlights the founding mechanisms. Randa is currently living and working in Paris, France.
Biographical notes provided by the film production team
Randa Maroufi belongs to this generation that grew up in an era dominated by images. She collects them with as much eagerness as suspicion, and ceaselessly questions their veracity. She prefers to put her ambiguous fictions in the service of reality, and the field of her experimentation encompasses the occupation of public space and gender issues, of which she highlights the founding mechanisms. Randa is currently living and working in Paris, France.
Biographical notes provided by the film production team