Much more than a documentary on the renovation of Félix Leclerc’s house in Vaudreuil (now an historic monument) and its conversion into a site for artists-in-residence, this film depicts the singer-poet’s life here through the memories of his eldest son, Martin Leclerc. Combining interviews with friends and artists, drawings by his daughter Mélanie and original music by Jérôme Langlois, the film provides a link between past and future.
Also presented:
34th International Festival of Films on Art, Canada (2016)
34th International Festival of Films on Art, Canada (2016)
| Director | Martin Leclerc |
| Participation | Janine Sutto, Yves Massicotte, Marie-Belle Ouellet, Manon Côté, Pierre Patry, Marcel Brouillard, Guy Godin, Jean-Jacques Chapdelaine, Hugo Latulippe, Bernard Séguin-Poirier, Mélanie Leclerc, Luc Simard, Jérôme Langlois, Jean-Louis Freund, Dominique Leroux, Félix Leclerc |
| Editing | André Desrochers |
| Artist | Janine Sutto, Yves Massicotte, Marie-Belle Ouellet, Manon Côté, Pierre Patry, Marcel Brouillard, Guy Godin, Jean-Jacques Chapdelaine, Hugo Latulippe, Bernard Séguin-Poirier, Mélanie Leclerc, Luc Simard, Jérôme Langlois, Jean-Louis Freund, Dominique Leroux, Félix Leclerc |
| Cinematography | Martin Leclerc |
| Graphic Creation | Mélanie Leclerc |
| Music | Jérôme Langlois |
| Other | Alexis Pilon-Gladu |
Image tirée du film Le 186… pour la mémoire // Image from the film Le 186… pour la mémoire
Image tirée du film Le 186… pour la mémoire // Image from the film Le 186… pour la mémoire
Image tirée du film Le 186… pour la mémoire // Image from the film Le 186… pour la mémoire
Production
Martin Leclerc
Martin Leclerc was a cameraman for the National Film Board from 1975 to 1998, collaborating on many classic Quebec documentaries, including all films by Pierre Perrault.
Les Avironneuses (1976).
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