In 2015, in the wake of the shocking Charlie-Hebdo attack, choreographer Nadia Vadori-Gauthier was faced with a climate of violence and sadness. She decided to stay standing and to dance, one minute each day, filming herself and sharing her videos on social networks. The project Une minute de danse par jour, which has continued for four years now, is intended to be an act of poetic resistance that ceaselessly distils an infinitesimal measure of softness despite the hardness of the world. As a choreographic road movie, this documentary follows Vadori-Gauthier on her luminous, inspired wanderings.
Also presented:
37th International Festival of Films on Art, Canada (2019)
37th International Festival of Films on Art, Canada (2019)
| Director | Jérôme Cassou |
| Editing | Jérôme Cassou |
| Artist | Nadia Vadori-Gauthier |
Affiche du film // Film’s poster
Image tirée du film Une joie secrète // Image from the film A Secret Joy
Image tirée du film Une joie secrète // Image from the film A Secret Joy
Production
Jérôme Cassou
Jérôme Cassou graduated in scenography from the National School of Decorative Arts in Paris, but it is behind the eye of a camera that he fulfills his artistic dream. For nearly fifteen years, he has created production devices adapted to the scene filmed live, for documentaries, fiction, communication of public or private structures in the field of the Arts, in particular broadcast on French television or on the Web.
Biographies have been provided by third parties.
Biographies have been provided by third parties.
Europa (2016); Des voix en partage (2016); Demain midi à la même heure (2016); Un homme moderne (2015); The List (2014); Les auditeurs du soir (2014); Pina Bausch / Tanztheater Wuppertal Pina Bausch (2006−2013); Répétition à ciel ouvert (2011); Une nuit aux César (2011); À l’Opéra du Caire (2009); Olivier Py Tragédie (2009); Pina Bausch Néfes (2004); Macadam Circus (2004); Danse avec la vie (2003); Hôtel Palace (2003); Les + belles femmes du Louvre (2002); Sapho / Just Before Death (2001); Aparté (2001); Bouvier-Obadia : Trajectoires (1999)
