Sobre (journal intime)

Amaury Voslion’s films are rich in painting, photography, cinema and music. For many years, they have been looking at creation, artists and their process. Awarded in Cannes in 2003 for his in-depth work on New York underground cinema, he has directed numerous documentaries on cinema, photography, music and even starred cuisine, for Arte, Ciné +, TV5, Paris Première, among others. Trained as a photographer, often cinematographer and editor of his films, he has made several short fiction films, including Trouble, which was selected in Anger and Pantin, as well as a television film: Lumière. He also directed black and white video clips with photographer Richard Dumas, for artists such as Tindersticks, Les innocents, Dominique A, Rosemary Standley. His film Mingus Erectus, an entirely musical feature dedicated to the great double bassist Charles Mingus, has been selected in many festivals and received the prize for best documentary on art as well as the special jury prize at the Mediawave festival in 2019, and the audience prize at the Festival des Films à l’Est, the same year. For Amart films, Voslion has also made portrait films with and about contemporary artist Jean-Luc Verna, musician Thomas de Pourquery, videographer Pierrick Sorin and more recently dancer Jeanne Morel, where his style with its sensitive aesthetics has imposed itself. Also a screenwriter, he is currently developing his first feature film for the cinema, as well as a detective series for platforms.

Biographies have been provided by third parties.

Jules & Romy (2012) ; Lenny is back (2007) ; Corp & âme (2018) ; Mingus Erectus (2017) ; Poses ; David Linx (2018).