The fruit of a year in the life of artist Raphaëlle de Groot in Minganie, Quebec, Subsistences draws a poetic documentary picture focusing on the cultural, social, and environmental aspects of a far-removed region.
Also presented:
36th International Festival of Films on Art, Canada (2018)
36th International Festival of Films on Art, Canada (2018)
| Director | Maxime Girard, Raphaëlle De Groot |
| Participation | Aurore Déraps, Jean-Guy Gallant, Léopold Gallant, Chantal Harvey, Aimé Jomphe, Edouard Kaltush, Louis Lalo, Annick Latreille, Le Savoir de nos grand-mères, John John Malec, Jean Mestokosho, Rita Mestokosho, Guylaine Michel, Yannick Michel, Rémy Morisset, Anastasia « Natah » Nolin, Benoit Nolin, Julie Plante, Devon-Lee Rich, Carole Routhier, Sylvain Roy, Mirko Sabatini, Marie-Andrée Vaillancourt, Guy Côté, Rachel Cormier, Mathieu Bourdon, Robert Bellefleur, Léo Basile |
| Editing | Raphaëlle De Groot, Maxime Girard |
| Concept | Raphaëlle De Groot |
| Sound mixing | Philippe Durand |
| Cinematographer | Léo Harvey-Côté |
| Cinematography | Charlotte Lalou Rousseau, Léo Harvey-Côté, Maxime Girard, Raphaëlle De Groot |
| Music | Mirko Sabatini, Mirko Sabatini, Saverio Damiani, Diego Cofone, Samuele Venturin |
| Other | Justine Bourdages, Réjean Cormier, Louise Dupont, Véronique Leblanc, Käthe Roth, Charlotte Lalou Rousseau, Hélène Saint-Onge, Jean Charles Zanon, Caroline Beaulieu |
In Partnership with
Present in these collections
Image tirée du film Subsistances // Image from the film Subsistences
Image tirée du film Subsistances // Image from the film Subsistences
Image tirée du film Subsistances // Image from the film Subsistences
Image tirée du film Subsistances // Image from the film Subsistences
Production
Raphaëlle De Groot
Focusing on the process, Raphaëlle de Groot’s artistic endeavour calls upon individuals and communities to participate in the development of tidbits and tales. Elaborated through collaborations or collections of fragments, her works can include drawings, photos, videos, installations, and performances. She recently directed Subsistences – Inniun, a multifaceted project inspired by her meeting with the First Nation and non-native communities of Minganie, in the Moyenne-Côte-Nord region (curated by Véronique Leblanc). Raphaëlle de Groot has a Master of Visual and Media Arts from the Université du Québec à Montréal. Her works have been exhibited in North America, South America, and Europe since 1997. She is the recipient of many awards, including the Sobey Art Award in 2012.
Biographies have been provided by third parties.
Biographies have been provided by third parties.
Study 5, A New Place (2015) ; La Réserve (2012) ; Porter (2011) ; L’Art d’accommoder les restes (2008) ; Study 4 (2007) ; Open Rehearsal (2005) ; Exercice filmé 1 (2002).
Maxime Girard
Maxime Girard has a Bachelor of the Interdisciplinary Program of Arts of Chicoutimi, Quebec, and studied Philosophy at the Université Laval. He’s mainly working on fiction films, but always with a sociologic and philosophic point of view on human history. The documentary aspect of his films emerges from his work as a filmmaker and video editor for the company La Boîte Rouge Vif.
Biographies have been provided by third parties.
Biographies have been provided by third parties.
Pod Post (2017) ; White Light (2016) ; China Dolls (2016) ; Asepsie (2014) ; Nuestras Voces, Nuestra Imagen (2013) ; Insomnium In memoria (2013) ; Marelle (2012).
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