This short film explores the enduring connection between Baudelaire, the psychedelic, cannabis and art. Through the use of moving paintings, drawing and sounds, this film takes us on a journey into a fertile artistic imagination.
Also presented:
38th International Festival of Films on Art, Canada (2020)
38th International Festival of Films on Art, Canada (2020)
| Director | Serge Goldwicht |
| Music | Pierre Lebcque |
Image tirée du film Weed Art Process // Image from the film Weed Art Process
Image tirée du film Weed Art Process // Image from the film Weed Art Process
Affiche du film // Film’s poster
Production
Serge Goldwicht
Serge Goldwicht was born in Nivelles in 1954. He is living and working in Brussels.
His career is a perambulation/peregrination between art and philosophy, which he studied at the ULB (Brussels Free University) (1972)
“How Vision Became a Fable?”, “Kunst Macht Frei”, “B Terra Incognita”, “Autopictographic Reports”: these are the emblematic titles of a few of his exhibitions.
An expert in design, he worked for some years as the creative director of the Val Saint-Lambert crystal glassworks.
That is where he witnessed the fusion of glass and of its vagaries.
He is also author, his last book is the Manuel de dessin sponatné à l’usage des adultes (Ed.L’Harmattan, Paris)
Drawing and painting led him on to video art in the form of the alluvial blotches which he films. That is how the “Blotch Project” was born in 2013.
The moving blotch, its suggestive powers and the multiplicity of potentialities are the source of this perambulation/peregrination which leads him to stage “graphic catastrophes”, as Deleuze calls them.
Biographies have been provided by third parties.
His career is a perambulation/peregrination between art and philosophy, which he studied at the ULB (Brussels Free University) (1972)
“How Vision Became a Fable?”, “Kunst Macht Frei”, “B Terra Incognita”, “Autopictographic Reports”: these are the emblematic titles of a few of his exhibitions.
An expert in design, he worked for some years as the creative director of the Val Saint-Lambert crystal glassworks.
That is where he witnessed the fusion of glass and of its vagaries.
He is also author, his last book is the Manuel de dessin sponatné à l’usage des adultes (Ed.L’Harmattan, Paris)
Drawing and painting led him on to video art in the form of the alluvial blotches which he films. That is how the “Blotch Project” was born in 2013.
The moving blotch, its suggestive powers and the multiplicity of potentialities are the source of this perambulation/peregrination which leads him to stage “graphic catastrophes”, as Deleuze calls them.
Biographies have been provided by third parties.
Hitch & Blotch (2016) ; Mind Blotch (2017)
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