ARCHES : Le rêve de Kyrylo Stetsenko
Alexandre De Bellefeuille
As part of the series ARCHES: Ukrainian Presence, Les Rugissants presents The Dream by Kyrylo Stetsenko, which explores the inner turmoil of a man in captivity.
A true musical painting, the work evokes the imaginary journey of the captive back to his family home: vast green fields and lush forests welcome him, and gradually, his familiar dwelling comes into view. In the comforting space of the home, the soul enters to reunite with his mother and sister, weighed down by suffering and separation. In a poignant surge of emotion, a rupture occurs, shattering the peaceful illusion — the prisoner awakens from this tormented dream. Is it a dream or cruel reality? The Dream of Kyrylo Stetsenko transcends music, subtly alluding to the political constraints of Ukraine on the threshold of the 20th century, echoing struggles and hopes that remain relevant today.
A true musical painting, the work evokes the imaginary journey of the captive back to his family home: vast green fields and lush forests welcome him, and gradually, his familiar dwelling comes into view. In the comforting space of the home, the soul enters to reunite with his mother and sister, weighed down by suffering and separation. In a poignant surge of emotion, a rupture occurs, shattering the peaceful illusion — the prisoner awakens from this tormented dream. Is it a dream or cruel reality? The Dream of Kyrylo Stetsenko transcends music, subtly alluding to the political constraints of Ukraine on the threshold of the 20th century, echoing struggles and hopes that remain relevant today.
Director | Alexandre De Bellefeuille |
Director of Photography | Julien David |
Artistic Direction | Xavier Brossard-Ménard |
Editing | Benoît Guérin |
Camera | Alexandre De Bellefeuille |
Cast | Les Rugissants |
Sound | Nataq Huault |
Production
Alexandre De Bellefeuille
Alexandre de Bellefeuille is a director and cinematographer based in Montreal. He works in fiction, documentary and, more recently, visual arts. His work has been selected for numerous film festivals, including Les Rendez-vous du Cinéma Québécois (Canada), the International Festival of Films on Art (Canada) and the Festival du Courts à Clermont-Ferrand (France). His most recent work explores and emancipates the documentation of artistic events. Through his collaborative work with artists, Alexandre seeks to create witness documents that in turn become singular artistic objects.
Biographical notes provided by the film production team
Biographical notes provided by the film production team
Selected films:
Le Partage (2023)
Mixed Memories (2022)
Flowing Water Standing Time (2019)
Je veux savoir (2017)
Comment par un beau matin d’avril (2016)
Le Partage (2023)
Mixed Memories (2022)
Flowing Water Standing Time (2019)
Je veux savoir (2017)
Comment par un beau matin d’avril (2016)