A brush makes watercolors appear on a white sheet of paper. An everyday object takes shape, drawn with precision by an artist’s hand. Then two, then three, then four… Superimposed, condensed, multiplied, thousands of documentary drawings in successive series come to life on the screen, composing a veritable visual symphony of everyday objects. The accumulation, both fascinating and dizzying, takes us on a trip through time.
Also presented:
37th International Festival of Films on Art, Canada (2019)
37th International Festival of Films on Art, Canada (2019)
| Director | Alain Biet |
| Editing | Ludovic Vieuille |
| Sound Design | Yan Volsy, Pablo Pico |
| Sound mixing | Yan Volsy |
| Cinematography | Sara Sponga, Lucas Dal Cortivo, Alain Morizot |
| Animation | Anne-Sophie Raimond, Emile Allion |
| Music | Pablo Pico, Yan Volsy |
Image tirée du film Grands canons // Image from the film Grands canons
Image tirée du film Grands canons // Image from the film Grands canons
Production
Alain Biet
Alain Biet graduated from the Orleans Beaux-Arts in 1982. A protean artist, he explores sculpture, photography, drawing, video, music, performance and more. Lecturer at Orleans Beaux-Arts from 1985 to 1990, he has since been teaching at Blois Beaux-Arts. He is a member of various collectives, including Oulan Bator in Orleans, works with La Fondation du Doute in Blois. He has taken part in, and organized, many contemporary art exhibitions and events in France, Italy and Belgium.
Biographies have been provided by third parties.
Biographies have been provided by third parties.
First major film.
