This film is part of Yu Shimizu’s Carte Blanche, a Tokyo-based art film curator.
This video was made of found home-video footage. When I see the videos recorded during my childhood, I feel a sense of alienation, as if I were looking at the past of other people. These videos cut our memories into bits and pieces; are they recorded as fact or memorized as the truth? Thinking about the gap between fragmentary and one-sided records and the actual memories, I list some decomposed drawings of those unrecorded, negative sides as a complement. These blurred images and inarticulate voices might be seen as an expression of the discrepancy of my memories.
This video was made of found home-video footage. When I see the videos recorded during my childhood, I feel a sense of alienation, as if I were looking at the past of other people. These videos cut our memories into bits and pieces; are they recorded as fact or memorized as the truth? Thinking about the gap between fragmentary and one-sided records and the actual memories, I list some decomposed drawings of those unrecorded, negative sides as a complement. These blurred images and inarticulate voices might be seen as an expression of the discrepancy of my memories.
Other festival:
Zeitgenössische experimentelle Videokunst aus Japan, Germany (2020)
Zeitgenössische experimentelle Videokunst aus Japan, Germany (2020)
Director | Eri Saito |
In Partnership with
Production
Eri Saito
Eri Saito was born 1991 in Fukushima. Graduated from Wako University, Department of Arts, Faculty of Representational studies, in 2015. Focusing on the media of photography and video, she creates works themed on such invisible and uncertain dynamics as memory and cognition.
Biographical notes provided by the film production team
Biographical notes provided by the film production team
Recent exhibitions:
Until It Gets Dark (Tokyo Metropolitan Art Museum, 2021)
Glory of 2020 (Yumi Adachi Contemporary / Awoba Soh, Tokyo, 2020)
1GB (Spiral Hall, Tokyo, 2020)
Until It Gets Dark (Tokyo Metropolitan Art Museum, 2021)
Glory of 2020 (Yumi Adachi Contemporary / Awoba Soh, Tokyo, 2020)
1GB (Spiral Hall, Tokyo, 2020)