Trailer
This film will be presented during the event La Nuit de la danse on March 18, 2022 at Théâtre Outremont in the presence of the choreographer Margie Gillis and the director of the film, Louis-Martin Charest.
When Dreaming Molly is a dance show, filmed a few days before the start of the pandemic. This piece is the continuation of the solo Bloom, created and performed by Margie Gillis in 1989. Choreographed to James Joyce’s famous monologue in Ulysses, this innovative, raw, vulnerable piece illustrates the attempt to physically combine flow of consciousness and freedom of spirit. Created with the same curiosity and innovation as Joyce’s book, this adaptation pushes the boundaries of dance and playfully expands the boundaries of gender roles.
When Dreaming Molly is a dance show, filmed a few days before the start of the pandemic. This piece is the continuation of the solo Bloom, created and performed by Margie Gillis in 1989. Choreographed to James Joyce’s famous monologue in Ulysses, this innovative, raw, vulnerable piece illustrates the attempt to physically combine flow of consciousness and freedom of spirit. Created with the same curiosity and innovation as Joyce’s book, this adaptation pushes the boundaries of dance and playfully expands the boundaries of gender roles.
Director | Louis-Martin Charest, Louis-Martin Charest |
Director of Photography | Claude Précourt |
Camera | Gerard Martin |
Choreography | Margie Gillis |
Artist | Troy Ogilvie |
Narration | Siobhan McKenna |
Sound | Paskal Perrault |
Lighting | Pierre Lavoie |
Session
Production
Louis-Martin Charest
A versatile artist, Louis-Martin Charest is a graduate of Canada’s National Ballet School. He danced for the Ottawa Ballet, the National Ballet of Portugal, Les Grands Ballets Canadiens de Montréal and Ciné Qua Non Media. Alongside his interpretive endeavors, he choreographed over 30 works for various dance companies. Louis-Martin is the founder of LIBERAMÆ performance & films; creating screendances, fictions as well as documentaries.
Since 2001, Louis-Martin has been working as a director with arts organizations such as Kidd Pivot/Crystal Pite, BJM danse, le Théâtre Hector Charland, Usince C, l’École de danse de Québec, l’École supérieure de ballet du Québec, le Festival des arts de Saint-Sauveur, Jane Mappin Danse, PPS Danse, Création Estelle Clareton et la fondation Margie Gillis. As a documentary filmmaker, he directed two short documentaries for CBC’s Exhibitionists series.
During the summer of 2020, Louis-Martin directed the ten episodes of A Shared Solitude, produced by the Festival des arts de Saint-Sauveur and Orchestre Métropolitain. In 2021, he directed six musical shorts for l’Orchestre Symphonique de Laval, produced by the city of Laval. In 2022, Louis-Martin will collaborate with choreographer Margie Gillis, bringing to the screen five of her iconic solos.
Biographical notes provided by the film production team
Since 2001, Louis-Martin has been working as a director with arts organizations such as Kidd Pivot/Crystal Pite, BJM danse, le Théâtre Hector Charland, Usince C, l’École de danse de Québec, l’École supérieure de ballet du Québec, le Festival des arts de Saint-Sauveur, Jane Mappin Danse, PPS Danse, Création Estelle Clareton et la fondation Margie Gillis. As a documentary filmmaker, he directed two short documentaries for CBC’s Exhibitionists series.
During the summer of 2020, Louis-Martin directed the ten episodes of A Shared Solitude, produced by the Festival des arts de Saint-Sauveur and Orchestre Métropolitain. In 2021, he directed six musical shorts for l’Orchestre Symphonique de Laval, produced by the city of Laval. In 2022, Louis-Martin will collaborate with choreographer Margie Gillis, bringing to the screen five of her iconic solos.
Biographical notes provided by the film production team
When Dreaming Molly (2022)
Blue (2022)
Circular Labyrinth (2022)
I Am We Are One (2022)
Une solitude Partagée (2021)
Blue (2022)
Circular Labyrinth (2022)
I Am We Are One (2022)
Une solitude Partagée (2021)